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"Gorgeously baroque"
-The New Yorker

"X-traordinary"
-Time Out New York

"Crafty and audacious"
-The New York Times

 Greg Corbino is a transdisciplinary queer artist, puppeteer and educator. His work is deeply invested in nature, joy, and justice - and often created from recycled materials, which is to say trash but let's be honest -there's no such thing as trash....His ongoing public space puppet performance, MURMURATIONS, draws attention to the environmental impact of plastics with giant puppets crafted of plastic trash collected from New York shorelines and has been supported by the Lower Manhattan Cultural Council, Riverkeeper, Green Feather Foundation and Greenpeace USA. Collaborators include Peter Schumann and The Bread and Puppet Theater, Reverend Billy and The Stop Shopping Choir, Jennifer Miller and Circus Amok, Xaviera Simmons, Cecilia Vicuña and Becca Blackwell. His monumental design work has been featured at Soho Repertory Theater, The High Line, The Architecture League of New York, The Queens Museum, The Leslie Lohman Museum of Art, The Brooklyn Academy of Music, The Berlin Jewish Museum and the Smithsonian Institution. Greg lives and works in Brooklyn. 

THE NEW YORKER

"Snatch and Tainty’s wonderful fake television show doesn’t air, exactly, so much as gestate inside a gorgeously baroque, pink-and-gilt set, designed by Greg Corbino, which features a chapel-size model of a lower body, with a throbbing, door-like vagina dead center, bracketed by huge golden legs."

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3 VIEWS

"Corbino’s work was its own character in the show, almost consuming but most importantly, beautifully transformative"

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THE NEW YORK TIMES MAGAZINE

Fabrication of monumental Paper Mache sculptures for Xaviera Simmons 

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VULTURE 

"Working with director Jess Barbagallo and production designer Greg Corbino, Blackwell has envisioned a stage world as dense and meticulous in its detail as it is hilarious. … Everything’s dreamed up and executed in what feels like a state of giddy, ingenious pleasure."

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THE NEW YORK TIMES

"....crafty and audacious.."

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THE NEW YORK TIMES

Efigy of Marsha P. Johnson, built with members of the Stop Shopping Choir community 

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